ISSUE #48


STREET ART ISRAEL
CHERNOBYL BY JACE
ANCIENTS VS MODERNS

INTI
RAY CAESAR
STEPHEN POWERS
WASTED RITA
SUPAKITCH
GREMS

WHITE PAGE CHALLENGE


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AN INCREDIBLE OPPORTUNITY TO WRITE THE HISTORY OF GRAFFITI ART MAGAZINE

 

 

 

 

 

 

 

ISSUE #48


STREET ART ISRAEL
CHERNOBYL BY JACE
ANCIENTS VS MODERNS

INTI
RAY CAESAR
STEPHEN POWERS
WASTED RITA
SUPAKITCH
GREMS

ISSUE #47


featured artists

HYURO
GERARD ZLOTYKAMIEN
OX
SEATY
ERMSY
BLO
WAYNE HORSE
CLET

ISSUE #46


featured artists

CARRIE REICHARDT
ARYZ
GRIS1
CRYSTAL WAGNER
DAN RAWLINGS
LUCY SPARROW
ROMAIN FROQUET
TAKU OBATA

ISSUE #45


featured artists

VAN MINNEN
YURI AVERIN
NUBIAN
MAYA HAYUK
MICHAEL BEITZ
ANDREW MCATTEE
MILLO

From Street Art…
… to Urban Contemporary Art.

Rebuilding bridges

EDITO #48 | January-February 2020

Rebuilding bridges between the roots of street art and the reality of today’s urban contemporary art is a necessity for us. So, we have included new columns in which you will learn about the main destinations and spots of the international street art scene. Our first stop was Israel, where creativity is as burning as the topics artists tackle. In the same spirit, we have followed Jace on his expedition to confront his Gouzou with the ghosts of Chernobyl. An impossible dialogue? Maybe not.

Urban art under influence

From public space hijackings to studio creations, references and detournements of antique and classical works abound. What if urban art could reconcile the Ancients and the Moderns? To touch on this complex matter, we have talked to the main players in this game.

Creative wealth draws on diverse inspirations.

INTI’s solar universe takes root in a cultural melting pot filled with mythological references and grounded in profound optimism. Ray Caesar has surrounded himself with imaginary friends born out of his childhood traumas. Stephen Powers and Wasted Rita find their creative material more readily: in the flaws of our consumer society for the first one, and in wild feminism for the second. Yet both share a mastery of words and a taste for calligraphic play. As for the plastic artists Supakitch and Grems, they put aesthetics at the centre of their new visual expressions.

Last but not least

Last but not least, we have reviewed our logistics to limit our CO2 emissions. let us each do our part.

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